The Lion King 1 1/2

If The Lion King was “Hamlet” and The Lion King 2 was “Romeo and Juliet,” then 2004’s The Lion King 1 ½ is Disney’s version of Tom Stoppard’s Rosencrantz and Guildenstern are Dead. Starring almost everybody from the first two films, with Edward Hibbert replacing Rowan Atkinson and Matt Weinberg replacing Jonathan Taylor Thomas, the film also adds Julie Kavner and Jerry Stiller. The film won the 2005 Annie Award for Best Home Entertainment Production.

Told from the perspectives of Timon and Pumbaa, the film shows the backstories of both characters prior to the first film. However, they actually may have around sooner than the first film let on.

The Lion King 1 ½ is quite a fun interpretation of the original film, revealing that Timon and Pumbaa actually set some of the events from it into action and were around in others. But even though it’s fun it kind of causes trouble for the original.

The film depicts Timon’s history of the odd meerkat out in his specific colony, which causes him to leave and eventually shape certain moments from the original film. The reason the animals bow at the beginning was because Pumbaa farted at the wrong time and the animals in his immediate vicinity fainted. Which was mistaken for bowing. Also, during “I Just Can’t Wait to Be King,” the animals collapsed because Timon kicked the elephant. They were also present for the start of “Be Prepared” and tried to sabotage Simba and Nala’s falling in love.

However, some of these events are really difficult to fit into the events of the first film. For one, creating the tower of animals was Nala’s idea. Furthermore, when they distract the hyenas, that means they weren’t there for Scar’s confession.

 But despite the continuity errors, The Lion King 1 ½ makes for an entertaining watch.

#51

The Lion King II: Simba's Pride

Another direct to video sequel was released October 1998. This time, a direct continuation of The Lion King. Taking inspiration from Romeo and Juliet, The Lion King II: Simba’s Pride was called a satisfactory sequel by Gene Siskel and Roger Ebert. Most of the voice cast came back, but Edward Hibbert replaced Rowan Atkinson as Zazu and brought in new voice actors like Andy Dick, Neve Campbell and Suzanne Pleshette.

Simba (Matthew Broderick) and Nala (Moira Kelly) now have a daughter named Kiara (Campbell). She falls in love with Kovu (Jason Marsden), who was raised in a pride of Scar’s followers and Simba’s enemies. The two are desperate to be together and overcome obstacles keeping them apart.

This is actually one of the few warranted Disney sequels and also one of the few that actually take the story and continue it. And while it could never match or overtake the original, for what this film presents, it’s actually pretty good.

Kiara and Kovu are well played rebellious teenagers that want to live their own lives. She wants Simba off her back, not realizing that he sees the cub he used to be in her and doesn’t want her to make the same mistakes. He’s been bred to kill Simba, but ultimately just wants to be his own person and enjoy his life with the person he loves. And he legitimately changes. But when he and Simba wander into a trap that Zira has laid when she realizes Kovu has changed, Simba refuses to believe he’s changed.

Which also makes this a continuation of Simba’s character arc. He banished the lions that were in league with scar in the first film, even though most of them wanted a second chance. In the end, he’s got to make the choice whether or not to take them back. By refusing, he would not only lose Kiara’s respect, but become like Scar in a completely different way and both sides would suffer heavy loss of life. It’s just as Prince Escalus says in the story this film takes inspiration from:

“See, what a scourge is laid upon your hate,/That heaven finds means to kill your joys with love./And I for winking at your discords too./Have lost a brace of kinsman: all are punish’d

While the music isn’t great, it certainly isn’t bad. Most of them are actually pretty good, with “Not One of Us,” being the only one that’s moderately ok.

This really is one of Disney’s better sequels.

#33

The Lion King

While the animators were slaving away on production of Pocahontas, The Disney Company needed something to placate the masses. Taking cues from the biblical tale of Joseph and Moses as well as Shakespeare’s Hamlet, the company went to work on a small project called The Lion King. Starring Matthew Broderick, James Earl Jones, Jeremy Irons, Nathan Lane, Rowan Atkinson, Whoopi Goldberg, Cheech Marin, and Jonathan Taylor Thomas, the film was Disney’s biggest successes. Making over $900 million worldwide, it became Disney’s highest grossing film until 2013. It is also the 19^th highest grossing film, the third highest grossing animated film, and the highest grossing film of 1994. It won two Golden Globes, two Academy Awards, Three Annie Awards, and the Kids Choice Award for Favorite Movie and was nominated for the Saturn Awards, the British Academy Film Awards and the MTV Movie Awards. TIME named it one of the “25 All-TIME best Animated Films,” and AFI put Hakuna Matata as 99 on their  Top 100 Songs and the film as #4 on its Top 10 Animated Films. Its success earned it a Broadway Adaptation, two sequels, a midquel, a spinoff series and was featured in the Kingdom Hearts franchise.

It was also the first film I ever remember seeing. In a drive-in no less.

The film tells the story of Simba (Taylor Thomas), a lion cub who is the heir to the African Pride Lands. His uncle Scar (Irons) makes a power play for the throne, engineering the death of Simba’s father (Earl Jones). He convinces Simba that it was his fault, causing him to run away.

Dying in the scorching heat beyond the Pride Lands, he is saved by Timon (Lane) and Pumbaa (Ernie Sabella). They teach him their responsibility free philosophy and Simba grows into an adult (Broderick) with no worries. However, he meets his old friend, Nala (Moira Kelly) and he must decide whether or not to continue his life of no responsibilities or return to face his past.

Out of all the Disney Renaissance films, this one probably had the biggest production value. It’s big and beautiful in every sense of the word. There’s not one scene that draws back and takes away from any other scene. I said The Great Mouse Detective continued to top itself. But The Lion King, starts out on a huge scale and stays that way throughout the film. Even The Rescuers Down Under had a few times where it drew back to give it a bigger sensation when big scenes hit again. Putting all that together with a very adult message and relatable characters to back it up just makes the film work really well.

The message in the film is one of Disney’s most adult, which must be stated verbatim. “The past can hurt. But the way I see it, you can either run from it, or learn from it.” It’s a message that speaks to all of us, even though most of us don’t have the same past Simba experienced. But this still makes Simba one of the most relatable Disney characters. See, Simba after running away, thinks he’s finally gotten rid of his past. That is, until Nala shows up. But all he wants to do is be left alone in his carefree world. But he won’t be able to, as Rafiki shows him that he will be forever running from his past until he goes to face it. And he doesn’t do it because he wants to. He does it because he needs to.

Mufasa, even though he’s only in the film for a short while, is great. Everything he does has meaning towards the progression of the film and personifies what it means to be a great and well respected leader and father. Every time Simba is in danger, he drops everything and runs to save him. Even when it meant his own death, which was also spectacular. It says something when most Top 10 death lists include him as #1.

As a villain, Scar is pretty good and a great foil for Mufasa as a leader. Irons voices him very well. And it’s interesting to see the difference between his actions before and after he takes power. Before, he’ strategizing, manipulating, deceiving and conspiring. Like Jafar, he’s crafty and smart. But after he takes power, it all goes to his head and the lion that thought he would be a good leader turns into a childish dictator who destroys the land. He also became stupid enough to bash his minions, which led to them turning on him. Compare this to Mufasa who had the respect of the entire kingdom because of his wisdom.

The rest of the characters are great too. Timon and Pumbaa are good comedic relief that know when to get out of the spotlight, Zazu is a perfect straight man, the hyenas are great minions (with great voices) and Rafiki does really well as the shaman/wise man of the Pride Lands. He’s peaceful, but can fight with ease when he needs to.

There’s also not one song that feels out of place and the score is one of Zimmer’s best works.

On the other hand, this movie does have a fault. When Simba goes to face his past, no one is on his side until the truth comes out. If everyone hated Scar so much, why didn’t they back Simba up and give him time to explain instead of Scar going through rapid accusations?

But despite that, it’s still a great message and one of the best redemption stories put to film. #1