In 1963, Disney produced his first animated film with songs
scored by the Sherman Brothers. It would also be the last animated film
released before Walt’s death. Based on the T.H. White novel of the same name, The Sword in the Stone is comedic
musical fantasy about King Arthur before he was king.
The film begins in 6th Century England after King
Uther Pendragon dies without an heir and the “Sword in the Stone” appears in
London. Upon the sword is an inscription claiming that whoever can remove it is
the rightful King. None can do so and England is left in the Dark Ages.
Years later, Arthur (Rickie Sorensen, Richard Reitherman and
Robert Reitherman) is a young orphan training to be a squire. While
accompanying his foster brother Kay (Norman Alden) on a hunting trip, Kay loses
an arrow, which Arthur goes to retrieve. He runs into Merlin (Karl Swenson) and
his owl Archimedes (Junius Matthews) who declares himself Arthurs tutor. They
return to Arthur’s home, run by Arthur’s foster father, Sir Ector (Sebastian
Cabot). Ector at first will not allow Merlin to tutor Arthur, but is quickly
convinced. At the same time, Sir Pellinore (Alan Napier) arrives with news that
the annual jousting tournament will crown the winner King. Kay is trained for
the tournament and Arthur becomes his squire.
To teach Arthur, Merlin transforms him into three animals
throughout the film: A pike to learn about physics, a squirrel to learn about
gravity, and a sparrow. However, during the third transformation, Arthur runs
into Madam Mim, who uses her magic for trickery instead of science like Merlin.
Merlin arrives and challenges Mim to a Wizard’s Duel. Mim makes rules, but
eventually finds a loophole and Merlin turns into a germ to infect Mim and
defeat her.
On Christmas Eve, Kay is knighted and Arthur is set to leave
to assist him in the tournament, but Merlin is angered that he prefers fighting
over academics and transport himself to 20th century Bermuda.
The others travel to London, but Arthur realizes he left
Kay’s sword at the inn. Finding it closed for the tournament, Arthur pulls a
sword from an anvil in a stone in a churchyard, fulfilling the prophecy. Ector
and Black Bart (Thurl Ravenscroft) recognize the sword. Arthur is made to put
the sword back to prove he pulled it out. He does so and is crowned King.
However, Arthur is overwhelmed and calls Merlin for help. He returns and tells
the boy that he will become a great legend.
When the name Disney is mentioned, most recall films like Snow White and the Seven Dwarfs¸ Cinderella, The Lion King and The Little
Mermaid. Unfortunately, The Sword in the Stone is not well
remembered among Disney’s animated films, which is a shame because the film has
a fantastic cast of characters. Every one of them, except Pellinore and Black
Bart, have varying degrees of depth. It might not show all the time, but are
seen in specific points in the film. While it looks like Kay, Ector and
Archimedes don’t really care about Arthur, there are times when it shows that
they do. In the beginning of the film, after Arthur goes into the wolf infested
forest, Kay is having regrets about letting him go in and Ector is worried that
he might not come back. Sure, every other time in the film, they’re putting him
down and treating him with contempt, but thing is, they know he’s safe. And
when Arthur is turned into a fish, he’s about to be eaten by a pike. Archimedes
drops everything to come to his aide. He also goes to get Merlin when Arthur
runs into Madam Mim when he could have easily just said “screw him.” Merlin is
one of Disney’s most interesting characters too. He acts like a wizened old weirdo
because he is, but there are times when he’s clearly obfuscating stupidity and
knows more than he lets on. Most likely because he knows the future. It’s an
interesting interpretation to a character who, according to legend, lived
backwards. Mim is also an entertaining villain. She’s off her rocker, but
clearly knows how to lay down rules so that she finds a loophole and comes out
the victor. But she gets cocky, which leads to her defeat. And Arthur is quite
realistic. The whole film is development for him, and he grows from an
unlearned squire to an educated king. He gets more self-confidence as the film
goes on but he doesn’t end up completely sure of himself. He still needs a
mentor.
The only problem with Arthur is how he was voiced by three
different people. It’s blatantly obvious with no attempt made to hide it. It’s
not that his voice changes as the film progresses, but in the same scene, you
can hear all three voices. There had to be a reason for this, but I can’t seem
to find one. If one of them had backed out, why not rerecord everything with
the other voice?
On the other hand, the story can get a little thin in areas,
especially during the scenes where Arthur is transformed into an animal, but
those are still fairly fun to watch. The best part of the film is by far the
Wizard’s Duel. It’s very cleverly written and allows Merlin and Mim to just be
themselves. The music isn’t too memorable either.
Final Call: the story can get a little thin, but the
characters make the film what it is. Passes the Edge of Satisfaction and
becomes #4.
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