Melissa McCarthy returns to the screen to star in the road
trip comedy “Tammy.” Along with McCarthy, the film stars Susan Sarandon,
Allison Janney, Toni Collette, Sandra Oh, Mark Duplass, Gary Cole, Dan Aykroyd
and Kathy Bates. McCarthy also co-wrote the film along with her husband, Ben
Falcone, who directed it as well.
Even with its talented cast, “Tammy” suffers from McCarthy’s
overbearing domination. Its comedic quality consists of either cheap humor that
hits the audience like a sledgehammer or jokes that could work, but get
exhausted by the amount of time spent on them. It also strains itself in
presenting a positive message which completely changes the overall tone of the
movie and inserts a forced and unnecessary romantic subplot.
The film starts throwing its attempts at humor from the
beginning, when Tammy (McCarthy) hits a deer with her car and gets fired from
her fast food job. While there’s great comedic potential to be had from these
two instances, they’re promptly wasted by her attempting to give the deer mouth
to mouth by blowing at its face, licking hamburger buns and throwing trash at
her ex manager.
There’s also jokes concerning Tammy’s personality that fall
flat by going on for too long, such as when she’s robbing a different fast food
restaurant so she can bail her grandmother, Pearl (Sarandon) out of jail. It’s
a ridiculous concept that could have been executed really well, it had been
short and concise. But the scene goes on forever with Tammy trying three times
to get over the counter, rambling about pie and how she and the clerk could
have been friends in different circumstances and struggling to lock them in the
freezer. And then a few scenes later, it continues with her trying to give the
money back. All these scenes do are establish what the audience realized in the
first few scenes: Tammy has a gruff exterior and short temper, but is actually
quite kind-hearted.
Pearl is also an alcoholic addicted to OxyContin, which the
film also tries to give a humorous spin. But after the third time she gets blackout
drunk, it ceases to have any sort of humor.
But with the humor comes a strained positive message. At one
point, after Pearl has again gotten herself drunk and insulted Tammy, Pearl’s
cousin, Lenore (Bates) gives her a lesson in tough love, telling her to stop
complaining and allowing herself to be a victim. And while that’s a great
message for audiences to learn, it feels completely out of nowhere. And after
this message has been brought to Tammy, the film takes a complete turn in tone.
While that shift could be attributed to her fully understanding what Lenore
told her while she spent 38 days off screen in prison, it still feels jarring.
It’s also lazy writing.
The romantic subplot was also completely unnecessary. Tammy
leaves her husband early on in the film after he cheats on her. When she and
Pearl arrive in Louisville, she meets Bobby (Duplass). The two continue to run
into each other three more times during the course of the movie and each time
the two grow closer. Unfortunately, it seems quite forced and done only so
Tammy can meet someone new. While the character is a good idea in an effort to
help Tammy grow as a character, he doesn’t need to be a potential love
interest.
On the other hand, there is one redeeming quality the film
has: Don (Aykroyd), Tammy’s father. He picks her up from prison and offers to
kill Tammy’s ex-husband. It’s Aykroyd’s delivery, deadpan tone and making a
shotgun motion when she goes to pick up her things from her old house that do
his portion justice. Unfortunately, he’s in the film for about 10 minutes.
Melissa McCarthy has made decent films in the past, starring
alongside Sandra Bullock in “The Heat” and Jason Bateman in “Identity Thief.”
The problem here is the effort she took in writing this film with her husband,
allowing her to completely dominate the leading role, made possible by the
direction of her husband. Melissa McCarthy needs a director to reel her in and
co-stars to provide pushback to keep her from going overboard.
#4 for 2014 New Releases
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