In 1971, Disney released another hybrid film, Bedknobs and Broomsticks. Based off the
Mary Norton books The Magic Bed Knob; or
How to Become a Witch in Ten Easy Lessons and Bonfires and Broomsticks, the film stars Angela Lansbury and David
Tomlinson and was the last film released before Disney’s brother Roy O. Disney
died. It won the Academy Award for Best Visual Effects and currently has a 66%
on Rotten Tomatoes.
During the Blitz, Charlie, Carrie, and Paul (Ian Weighill,
Cindy O’Callaghan, and Roy Snart) are evacuated and place in the care of the
reclusive Eglantine Price (Lansbury), who is an apprentice which. She hopes her
magic can bring the war to an end. After the children find out her secret,
Price enchants a bedknob which will transport them to any location when
attached to her father’s bed.
Price receives a letter that says her college closed down so
she goes to London to speak with the headmaster Emelius Browne (Tomlinson), who
is actually a con artist with meaningless formulas. Price asks him for the
second book, and he produces it, but half the pages are missing. They go to
Portobello Road to search for it and attract the attention of a petty thief.
They are taken to the Bookman who has the other half, but the final spell is
missing. The Bookman explains the author, Astaroth, used the magic to give wild
animals anthropomorphism. They killed him, stole the medallion and sailed to
the Isle of Namboombu.
The group heads to the island, only to learn that no humans
are allowed. Browne speaks with King Leonidas (Lennie Weinrib) a soccer loving
lion, who wears the Star and offers to referee an upcoming soccer match.
The king is victorious and Browne steals the star. But when
they return home, the star has vanished. Paul finds the incantation for the
Substitutiary Locomotion spell in his book and Price tests it. However, its
power is too strong. Browne leaves as he is worried he is too attached to Price
and the children.
A Nazi raiding party sneaks onto the coast, occupies Price’s
house and places her and the children in a weaponry museum. Browne finds a way
to join them and they use the spell on the museum’s displays and lead an army
of armor to fight the Nazis. The commander destroys Price’s workshop, which
knocks her off her broomstick and the army collapses. The Nazis retreat as the
Home Guard fires at them.
Afterwards, Browne enlists and marches off while Paul
reveals he still has the enchanted bedknob.
You may remember I said in my review of Mary Poppins that the animation was unnecessary and was only there
for the sake of being animated. Well, I feel the exact opposite with Bedknobs
and Broomsticks. In this film, the group goes to an island that is only thought
to exist in the world of a book. And a sorcerer made the animals
anthropomorphic. It could be that after a while, the animals just became
animated or Asteroth simply made them that way. It’s not really explained and
doesn’t need to be. The animation simply feels like it fits, which it didn’t
with Mary Poppins.
The story is interesting and fun, especially with living
suits of armor chanting in Latin fighting off Nazis. And the Portobello Road
number shows off Disney’s casting and choreography very well. There’s a
not-so-subtle moment where two prostitutes show up and even then, it’s handled
very well and tastefully. I like Browne’s character arc. He first shows up as a
con artist, peddling magic he doesn’t believe exists. And when he’s first
presented with it, all he wants to do is market it. But when he comes to
realize he’s growing fond of the children and Price, he understands how bad of
an idea that is and leaves so he doesn’t grow fonder of them. But the coward
found at the beginning of the film has turned noble and comes back, using the
magic he once wanted to make money off of to help them and ends up joining the
army. He’s got an inner conflict that everyone can relate to in one way or
another.
My only problem with the film is that the children aren’t
too good of actors. They’re not terrible and don’t ruin the film, but they’re
just not all that great.
Final call: interesting ideas with a fun climax. Won’t make
the Edge of Satisfaction, but it will become #12.
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