Wednesday, March 5, 2014

Casablanca

[ CASABLANCA POSTER ]Based on the unproduced stage play, Everybody Comes to Ricks, Michael Curtiz’ 1942 film Casablanca was nominated for eight awards, winning Best Picture, Best Director and Best Screenplay. Starring Humphrey Bogart, Ingrid Bergman, and Paul Henried, the film features a man who must choose between love and virtue.

The film begins in December 1941, where American expatriate, Rick Blaine (Bogart) is the proprietor of Rick’s Café Americain, a nightclub and gambling den in the Moroccan city of Casablanca.  The café attracts a variety of people: Vichy Frency, Itallian, and German officials alongside refugees who are desperate to reach the United States. Rick professes to be neutral in all matters, but ran guns to Ethiopia during the war with Italy and fought against the Nationalists during the Spanish Civil War.
The petty criminal Ugarte (Peter Lorre) shows up one day and shows Rick letters of transit he gained by murdering two German couriers. The papers allow the bearer to freely travel around German-controlled Europe and to Portugal. He plans to sell them at the club later that night but is arrested by Capt. Louis Renault (Claude Rains), a corrupt official. He dies in custody without revealing he entrusted the letters to Rick.
Soon, Rick’s former lover and the source of his bitterness, Ilsa Lund walks into the bar and sees Rick’s friend and house pianist, Sam. She asks him to play “As Time Goes By.” Rick is furious that Sam disobeyed his order to never perform that song but is stunned to see Ilsa. Her husband, Victor Laszlo (Henried) the Czech Resistance leader, is with her as well. They need the letters Rick has to escape to America where he can continue his work. German Major Strasser (Conrad Veidt) has come to Casablanca to prevent it.  
Laszlo makes inquiries and Ferrari (Sydney Greenstreet), Rick’s business rival and black market figure, believes that Rick has the letters. But he refuses to sell at any price, telling Laszlo to ask his wife the reason. They are interrupted when Strasser leads a group of officers in singing “Die Wacht am Rhein,” a German patriotic anthem. Laszlo orders the house band to play “La Marseillaise” and starts singing along. He is alone at first, but the crowd soon joins in and drowns out the Germans. Strasser has Renault close the club under any means necessary. He chooses gambling.
That night Ilsa confronts Rick in the café. He refuses to give her the letters and she threatens him with a gun, but confesses she still loves him. She explains that when they first met and fell in love in Paris in 1940, she believed Laszlo had been killed in attempting to escape a concentration camp. However, when she was preparing to flee with Rick from the fall of Paris to the German army, she learned he was alive and in hiding and left Rick without explanation.
Rick’s cynicism and bitterness dissolve and he agrees to help her. Laszlo shows up unexpectedly having escaped a police raid on a Resistance meeting. Rick has his waiter take Ilsa away and Laszlo, now aware that Ilsa loves Rick, tries to persuade him to use the letters to take her to safety. The police turn up to arrest Laszlo on a minor, exaggerated charge, but rick convinces Renault to release him by promising a set up for the more serious crime of possession of letters of transit. When trying to arrest Laszlo as arranged at the airport, Rick holds Renault at gunpoint to assist in their escape. But at the last moment, he makes Ilsa board the plane to Lisbon with Laszlo, explaining that she would regret it if she stayed.
Strasser drives up alone and is killed by Rick when he tries to intervene. The police arrive, but Renault tells them to round up the usual suspects. The film ends as Renault suggests to Rick they join the Free French and walk away into the fog with Rick saying that it was the beginning of a beautiful friendship.

Rick’s character development is a big part in making this film what it is. Rick is introduced as a stubborn cynic who really wants no part in anybody’s affairs but his own. But when his past comes back in the form of Ilsa, he’s faced with the reality of why it all happened. He releases his grudge and does everything he can to get Ilsa and Laszlo out of Casablanca. It’s true and realistic development too, as he doesn't turn into a complete idealist as the film ends, but is slowly developing into a better person.
The music is done exceptionally well too. Written by Max Steiner, who also wrote the score to Gone with the Wind, he based the entire score on “As Time Goes By” and “La Marseillaise” and had the latter and the opening bars of “Deutschlandlied” as leitmotifs. This gave greater depth to the setting and characters. Also, the duel of songs between Strasser and Laszlo is one of the best parts in the film and sets up arguably the funniest line.
It should also be noted that the script was continually going through re-writes, even during filming. The screenwriters essentially made the film up as they went along. Yet it was still cleverly written and continues to be one of the most quoted films. However, at no time is Sam told “Play it again, Sam.” Blame Woody Allen for that.

While Ingrid Bergman's acting may have been a little off at times, but even she said it wasn't one of her favorite performances. 

Why did this get Best Picture: Because it involved the Czech Resistance most likely.


Final Call: An enjoyable and unforgettable film with great characters, music and writing. It jumps to #1.

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